Guitar Amplifier Design
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The Flextone III is a digital modelling amp which means that it uses digital methods to imitate a wide range of different amplifiers that are available on the market today. It's a jack of all trades! | The Flextone III is a digital modelling amp which means that it uses digital methods to imitate a wide range of different amplifiers that are available on the market today. It's a jack of all trades! | ||
| − | The amp allows you to choose from 16 different amp models with each model having a primary (yellow) mode and a secondary (red) mode. It also allows you to choose from 16 different speaker cabinet models. The speaker cabinet selection allows you to choose what sort of speakers the currently selected amp model | + | == Behavioural Overview == |
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| + | The amp allows you to choose from 16 different amp models with each model having a primary (yellow) mode and a secondary (red) mode. It also allows you to choose from 16 different speaker cabinet models but the speaker cabinet models do not have a secondary mode (their selection light is just green). The speaker cabinet selection allows you to choose what sort of speakers the currently selected amp model sounds like it's being played through. | ||
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| + | The Flextone also has built in effects. There are two groups of effects and each group has 6 different options to choose from. The first group are all Delay (Echo) related effects, and the second group are all general effects such as: Chorus, Flanger, Tremelo, Phaser and so on. There are also 7 different variables that can be modified that affect the sound of your current settings (whatever they might be). These are: Drive, Bass, Mid, Treble, Presence, Volume and Reverb. | ||
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| + | Lastly there are two switches that determine whether the soundgate (kills unwanted background noise) is on or off and whether the compressor (makes all notes have roughly equal volume, great for solos) is on or off. | ||
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| + | The Flextone has four different "channels" A, B, C and D that you can save a group of settings on. A group of settings consists of an amp model choice, a speaker cabinet choice, the 7 values of the D, B, M, T, P, V and R variables, the delay effect and general effect you might be using (if any) and status of the soundgate and compressor (on or off). Once you have saved some settings to a Channel A for example, you can then click the Channel B button and the Flextone will load up the settings related to Channel B. Channel B's settings can be entirely different to Channel A's. You may decide you want to change something about the settings on Channel B so after you make that change you can just save the Channel B settings again. | ||
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| + | There is one last feature of the amplifier to be mentioned and that is the Master Volume control. While modifying the Volume variables on each different Channel will set the volumes of each Channel in relation to eachother, the Master Volume adjusts the volume of the entire amplifier. This means the volumes of each channel are proportionally adjusted up or down by the master but always have the same relative difference in volume. | ||
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| + | A quick example: A has it's volume set to 10. B, C and D have their volumes set to 5. The master volume level is currently 2. This means A's volume level is 2 (based on the measurement of the master volume) and the other three channels have a master volume value of 1. If the master if turned up to 3, then A has a volume of 3 and the other channels have a volume of 1.5. | ||
Revision as of 02:03, 10 September 2008
Guitar Amplifier Design
For my design study I have decided to create a software version of the Line 6 Flextone III guitar amplifier. Although designing the modules that create the actual guitar tone is out of the scope of this project (any electrical/audio engineers around??) my design will model the core behaviour of this marvellous piece of equipment.
The Flextone III is a digital modelling amp which means that it uses digital methods to imitate a wide range of different amplifiers that are available on the market today. It's a jack of all trades!
Behavioural Overview
The amp allows you to choose from 16 different amp models with each model having a primary (yellow) mode and a secondary (red) mode. It also allows you to choose from 16 different speaker cabinet models but the speaker cabinet models do not have a secondary mode (their selection light is just green). The speaker cabinet selection allows you to choose what sort of speakers the currently selected amp model sounds like it's being played through.
The Flextone also has built in effects. There are two groups of effects and each group has 6 different options to choose from. The first group are all Delay (Echo) related effects, and the second group are all general effects such as: Chorus, Flanger, Tremelo, Phaser and so on. There are also 7 different variables that can be modified that affect the sound of your current settings (whatever they might be). These are: Drive, Bass, Mid, Treble, Presence, Volume and Reverb.
Lastly there are two switches that determine whether the soundgate (kills unwanted background noise) is on or off and whether the compressor (makes all notes have roughly equal volume, great for solos) is on or off.
The Flextone has four different "channels" A, B, C and D that you can save a group of settings on. A group of settings consists of an amp model choice, a speaker cabinet choice, the 7 values of the D, B, M, T, P, V and R variables, the delay effect and general effect you might be using (if any) and status of the soundgate and compressor (on or off). Once you have saved some settings to a Channel A for example, you can then click the Channel B button and the Flextone will load up the settings related to Channel B. Channel B's settings can be entirely different to Channel A's. You may decide you want to change something about the settings on Channel B so after you make that change you can just save the Channel B settings again.
There is one last feature of the amplifier to be mentioned and that is the Master Volume control. While modifying the Volume variables on each different Channel will set the volumes of each Channel in relation to eachother, the Master Volume adjusts the volume of the entire amplifier. This means the volumes of each channel are proportionally adjusted up or down by the master but always have the same relative difference in volume.
A quick example: A has it's volume set to 10. B, C and D have their volumes set to 5. The master volume level is currently 2. This means A's volume level is 2 (based on the measurement of the master volume) and the other three channels have a master volume value of 1. If the master if turned up to 3, then A has a volume of 3 and the other channels have a volume of 1.5.
